All of the props were used on the explorer and in scenes where the explorer is present. We decided that it would be better to keep the props the same for all three products because it would help the explorer to become more of a believeable character, and help the audiences to make connections between the music video, Digipak and magazine advert. There are no props used for the artist performance section so therefore the props will only be used for the music video and the digipak.
These binoculars are present throughout the majority of the narrative at the beginning of the music video the binoculars will be
viable on the desk when the explorer is working and planning his route. In the second section of the music video the explorer will interact with the binoculars and they will also be hung around his neck.
This camera will be placed on the explorers desk in the opening narrative section, the explorer will not interact with it at this point but it will be visible in the desk. in the second section of the narrative the camera will be placed around the explorers neck but the explorer will still not interact with the prop it will just be there for Mise purposes.
This map is going to be the main feature on the explorers desk, there will be several occasions where the explorer will point to different sections on the map and the move over to the typewriter. The map will also be used in the second half of the narrative where the explorer is walking through the forest in search of the headdress. Having the explorer looking at the map whilst he is walking through the forest will make his voyage more believable.
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